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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Paul, Bankstown, 2016

by Lyndal Irons

National Photographic Portrait Prize 2017 Finalist

Paul, Bankstown, 2016

Paul smokes on the veranda of his brother’s house on Northam Avenue, Bankstown. His wife, a florist, used the chair – from his brother’s dining room – in a photoshoot recently. The house is scheduled for demolition.

National Photographic Portrait Prize 2017
(More information, View all 49 photos)

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Cameron and the prosthetic arm
The Hermit
The Mirror

Other NPPP photos from Lyndal Irons
(More information)

Meagan Pelham, 2017 by Lyndal Irons
2018 Finalist

Related information

Richard Morecroft & Alison Mackay
Richard Morecroft & Alison Mackay
Richard Morecroft & Alison Mackay
Richard Morecroft & Alison Mackay

National Photographic Portrait Prize 2017

Previous exhibition, 2017

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
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The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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