This issue features convict portraitists, Janet Dawson, Paul Grabowsky, Nam Le, the Present Tense exhibition and more.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.
Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.
Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.
Portrait is the preeminent journal of Australian and international portraiture.
This issue features Jenny Sages, Francis Bacon and Lucian Freud, Brook Andrew's portrait of Marcia Langton, Nicholas Harding, Lola Montez, Mick Molloy and more.
This issue features suspected poisoner and portrait artist Thomas Wainewright, Rick Amor, Chuck Close, Mick Dodson, Scott Redford, the National Photographic Portrait Prize exhibition and more.