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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Paris to Monaro

Pleasures from the studio of Hilda Rix Nicholas

After successfully exploring the art scenes of London, France and Morocco, Hilda Rix Nicholas settled at Knockalong, a property near Delegate, on the Monaro plain in the 1920s.

More information on Paris to Monaro

Selected images

9 images
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Autumn evenings golden glow, c.1942 by Hilda Rix Nicholas
Autumn evenings golden glow, c.1942 by Hilda Rix Nicholas
Bringing in the Sheep, c.1936 by Hilda Rix Nicholas
Bringing in the Sheep, c.1936 by Hilda Rix Nicholas
La robe Chinoise, c. 1913 by Hilda Rix Nicholas
La robe Chinoise, c. 1913 by Hilda Rix Nicholas
Mrs George Matson Nicholas, c. 1917 by Hilda Rix Nicholas
Mrs George Matson Nicholas, c. 1917 by Hilda Rix Nicholas
Hilda Rix, c. 1910 unknown photographer
Hilda Rix, c. 1910 unknown photographer
Phyl Maslin and her horse, 1935 by Hilda Rix Nicholas
Phyl Maslin and her horse, 1935 by Hilda Rix Nicholas
The pied piper, c. 1911 by Hilda Rix Nicholas
The pied piper, c. 1911 by Hilda Rix Nicholas
Envy, 1923 unknown photographer
Envy, 1923 unknown photographer
Étaples studio, c. 1912 photographer unknown
Étaples studio, c. 1912 photographer unknown
9 images
hide captions

Related information

Mrs George Matson Nicholas, c. 1917 by Hilda Rix Nicholas
Mrs George Matson Nicholas, c. 1917 by Hilda Rix Nicholas
Mrs George Matson Nicholas, c. 1917 by Hilda Rix Nicholas
Mrs George Matson Nicholas, c. 1917 by Hilda Rix Nicholas

Paris to Monaro

Learning resource archive

Structured around the biography of artist Hilda Rix Nicholas, this is a companion to our 2013 exhibition Paris to Monaro. For secondary students.
Self portrait
Self portrait
Self portrait
Self portrait

Give me five

Magazine article by Karen Quinlan AM, 2021

National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)

Impressions

Painting light and life

Previous exhibition, 2011

Impressions: Painting light and life presents portraits by, and of, artists at the heart of Australian impressionism including Tom Roberts, Arthur Streeton and Frederick McCubbin.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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