Skip to main content
Menu
What's on Prizes The Portraits Watch
The Gallery Governance & Board Circle of Friends
Learn Access Search the website
close close
What's on The Portraits The Gallery Learn Watch More O

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Painting mates

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

More information on Painting mates

Selected images

5 images
hide captions
Clifton Pugh painting in the studio
Clifton Pugh painting in the studio, 1974 Fred Williams. © Fred Williams
Fred Williams, Upwey, Victoria
Fred Williams, Upwey, Victoria, 1963 (printed 2000) David Moore. © Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/
Sketch portrait of David Aspden
Sketch portrait of David Aspden, 1975 Fred Williams. © Fred Williams
Murray Bail
Murray Bail, 1980-1981 Fred Williams. © Fred Williams
Stephen Murray-Smith
Stephen Murray-Smith, 1980 Fred Williams. © Fred Williams
5 images
hide captions

Related information

Angus Trumble with Self portrait at easel by Fred Williams
Angus Trumble with Self portrait at easel by Fred Williams
Angus Trumble with Self portrait at easel by Fred Williams
Angus Trumble with Self portrait at easel by Fred Williams

Autumn in Canberra

About Face article

1 May 2014

In Persuasion (1818), a long walk on a fine autumn day affords Anne Elliot an opportunity to ruminate wistfully and at great length upon declining happiness, youth and hope.
Self portrait, 1954
Self portrait, 1954
Self portrait, 1954
Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Harry Seidler, Killara, Sydney
Harry Seidler, Killara, Sydney
Harry Seidler, Killara, Sydney
Harry Seidler, Killara, Sydney

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
Home Contact Media Privacy statement User agreement Social media and community guidelines
© National Portrait Gallery 2025
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency