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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Queen Elizabeth I, c. 1575

associated with Nicholas Hilliard

The only surviving child of Henry VIII of England and his second wife, Anne Boleyn, Elizabeth I (1533–1603) inherited the throne from her Catholic half-sister Mary. Wishing to instate a moderate, more tolerant approach to religion derived from her father’s break with the Catholic Church in Rome, Elizabeth I surrounded herself with able advisers and together they brought about the re-establishment of the Church of England. She was expected to marry, but ultimately chose to retain her authority and rule in her own right.

In this portrait, Elizabeth wears a jewel in the shape of a phoenix, which symbolised both virginity and renewal, and clasps a red rose, a symbol of the house of Tudor. She also adopted black and white as her colours, their association with constancy and purity being highly appropriate for the ‘Virgin Queen’. The portrait was most likely completed in the studio or under the supervision of Nicholas Hilliard, who was called upon by Elizabeth’s ministers and courtiers to make images filled with codes and symbols that emphasised the queen’s royal power.

National Portrait Gallery, London. Purchased 1865.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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