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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Agnes Goodsir (left) and Rachel Dunn (aka Cherry) (second from left) at Valerie en Caix, c. 1930

photographer unknown

Agnes Goodsir (left) and Rachel Dunn (aka Cherry) (second from left) at Valerie en Caix, c. 1930

photograph
The Goodsir Archive, on loan to Bendigo Art Gallery

Agnes enigma
(More information, View all 4 images)

The Parisienne, c.1924
Self-Portrait

Related information

Girl with Cigarette, c. 1925 by Agnes Goodsir
Girl with Cigarette, c. 1925 by Agnes Goodsir
Girl with Cigarette, c. 1925 by Agnes Goodsir
Girl with Cigarette, c. 1925 by Agnes Goodsir

Agnes enigma

Magazine article by Karen Quinlan AM, 2019

Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.
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The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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