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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Grose Valley showing Govett’s Leap, 1860

by Mary Elizabeth Martindale

The Grose Valley showing Govett’s Leap, 1860

watercolour on paper
Mitchell Library, State Library of New South Wales

Presence and absence
(More information, View all 14 images)

Related information

The artist and her family, c. 1854 by Martha Berkeley
The artist and her family, c. 1854 by Martha Berkeley
The artist and her family, c. 1854 by Martha Berkeley
The artist and her family, c. 1854 by Martha Berkeley

Presence and absence

Magazine article by Joanna Gilmour, 2018

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
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The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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Canberra, ACT 2600, Australia
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

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