Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Copeman, gardener, Great Yarmouth

by John Dempsey

The appearance of vendors of ornamental plants ‘all a-blooming, all a-blowing’ in cries collections from the late 1790s onwards1 indicates the burgeoning enthusiasm of urban Britons for domestic gardening. Inspired by the botanical discoveries of 18th century exploration and scientific classification, and informed by the writings of picturesque and gardenesque theorists such as Humphry Repton and Uvedale Price, the English vogue for the suburban garden is also signalled by the establishment of the Royal Horticultural Society in 1804, and by publications such as John Loudon’s Encyclopaedia of gardening (1822), William Cobbett’s The English garden (1829) and the popular journal The Gardener’s Magazine (1826–44).

Nothing has been discovered about the Norfolk gardener Mr Copeman, but he is occupationally identifiable by his blue apron and by the potted roses and mustard flowers he carries in his huge hands, as well as by the curving beds at his feet in which more roses, as well as tulips and pansies, grow in stylised, china-decoration array. Copeman may have been an outdoor servant on a gentleman’s estate, or possibly an employee of the Royal Nursery, a commercial horticultural enterprise established at Yarmouth by Edward Youell.

Collection: Tasmanian Museum and Art Gallery, presented by C. Docker, 1956

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency