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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Angus Trumble with Self portrait at easel by Fred Williams

Angus Trumble with Self portrait at easel by Fred Williams
 

Autumn in Canberra
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Self portrait at easel
Self portrait
Self portrait

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Angus Trumble with Self portrait at easel by Fred Williams
Angus Trumble with Self portrait at easel by Fred Williams
Angus Trumble with Self portrait at easel by Fred Williams
Angus Trumble with Self portrait at easel by Fred Williams

Autumn in Canberra

About Face article

1 May 2014

In Persuasion (1818), a long walk on a fine autumn day affords Anne Elliot an opportunity to ruminate wistfully and at great length upon declining happiness, youth and hope.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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