National Photographic Portrait Prize 2009 Finalist
Adrian and Caren Lockhart at home in Balmain, Sydney. I have used a large format obscura (pinhole) camera as a means of formalising the relationship between the artist and his muse, who is also his wife. The process involves clarity and stillness: clarity in showing to the camera who they are, and stillness so that I can record this. It is their photograph as much as mine.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.
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