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‘Soobatan Village, in northern Iran. It sits in a mountain range so high, it exists above the clouds. They call it “the dream of Iran”. In this village, I was told, the cleverest kids are sent to city-schools to be taught; the rest are made to stay, and most become shepherds. Ali was one of them. It was a warm morning. As I was walking, I saw him approaching through the mist that permanently clings to the road. Ali looked at me and my camera enquiringly. He said very little – mostly one word, over and over: alooche. It means “little berry”.’
Hoda Afshar is a Naarm/Melbourne-based visual artist who works with photography and the moving image. Her practice focuses on the intricate relationships between photography and power and uses the camera to both probe, and subvert, the relationship between visibility and violence.
National Photographic Portrait Prize 2015 Winner



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