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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Jon Conté and Free, 1970

Carol Jerrems

gelatin silver photograph on paper (image: 24.5cm x 19.4cm. frame: 58.5cm x 43.2cm)

Here, Jerrems’ beloved dog Free sits between her and photographer Jon Conté (1951–2022), a close friend and fellow student at Prahran Technical College. Conté, whose demeanour is relaxed yet contemplative, recalled meeting Jerrems at Cathedral Hall in Fitzroy, Melbourne: ‘in the low-lit room I turned around and there she was, very close, “face to face”, her eyes, that shock of hair and a lovely smell. She quickly and quietly said “I think you’re beautiful can I take photographs of you?”’

In naming her beloved companion ‘Free’, Jerrems projected her hopes for the dog, and possibly even for herself, as she sought to understand her place in the world.

National Gallery of Australia, Canberra. Gift of Mrs Joy Jerrems 1981.
© The Estate of Carol Jerrems

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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