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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Carol Jerrems' bed with personal effects, Royal Hobart Hospital, 1979

Carol Jerrems

gelatin silver photograph on paper (image: 16.1cm x 24.2cm. sheet: 20.1cm x 25.2cm. frame: 43.2cm x 58.5cm)

This is a photograph of Jerrems’ hospital bed amid an abundance of cards, flowers and postcards tacked on the wall. It resembles a shrine in its peaceful silence, but there are signs that life continues: a cup of tea on the table, the pillow still creased by weight of her head, and, of course, there is the act of taking the photograph itself, the clearest proof of life but at the same time an oblique reckoning with death. By surrounding herself with pictures, and then immortalising them with her camera, Jerrems attests to how important images were to how she made sense of the world.

A line from one of the poems Jerrems wrote at the time reads:

Death in the next room,
nothing unusual, life goes on.

National Library of Australia
© The Estate of Carol Jerrems

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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