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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

You were my biggest regret: diary entry 1806, 2022

Joan Ross

oil and alkyd paint on stretched PVC with printed perspex backing (frame: 154.2cm x 123.3cm depth 4.7cm)
You were my biggest regret: diary entry 1806, 2022
 

Courtesy of the artist

Related information

Shopping for butterfly, 2013 Joan Ross
Shopping for butterfly, 2013 Joan Ross
Shopping for butterfly, 2013 Joan Ross
Shopping for butterfly, 2013 Joan Ross

Sucker Punch

Magazine article by Coby Edgar, 2025

Coby Edgar reflects on the artist Joan Ross, whose practice probes the ongoing consequences of colonisation, climate change and consumerism in Australia.
I’ll miss you copying things, 2018 Joan Ross
I’ll miss you copying things, 2018 Joan Ross
I’ll miss you copying things, 2018 Joan Ross
I’ll miss you copying things, 2018 Joan Ross

When birds no longer sing

Magazine article by Dr Emma Kindred, 2024

Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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