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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Related information

The Dance - David McAllister
The Dance - David McAllister
The Dance - David McAllister
The Dance - David McAllister

Home is where the art is

About Face article

9 June 2020

Tedi Bills on how social media in the age of COVID-19 has fanned the flames of our portrait fascination.
Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)
Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)
Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)
Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Ian Roberts (after Coypel 1709)
Ian Roberts (after Coypel 1709)
Ian Roberts (after Coypel 1709)
Ian Roberts (after Coypel 1709)

Super League

Magazine article by David Sequeira, 2004

The portrait of Ian Roberts by Ross Watson.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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The National Portrait Gallery is an Australian Government Agency