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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Angus Trumble with Self portrait at easel by Fred Williams
Angus Trumble with Self portrait at easel by Fred Williams
Angus Trumble with Self portrait at easel by Fred Williams
Angus Trumble with Self portrait at easel by Fred Williams

Autumn in Canberra

About Face article

1 May 2014

In Persuasion (1818), a long walk on a fine autumn day affords Anne Elliot an opportunity to ruminate wistfully and at great length upon declining happiness, youth and hope.
Clifton Pugh painting in the studio
Clifton Pugh painting in the studio
Clifton Pugh painting in the studio
Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Dame Mary Gilmore
Dame Mary Gilmore
Dame Mary Gilmore
Dame Mary Gilmore

Painting writing

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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