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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Paris to Monaro

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Structured around the biography of artist Hilda Rix Nicholas, this is a companion to our 2013 exhibition Paris to Monaro. For secondary students.

With a focus on selected works this resource provides questions and activities to prepare students to visit the exhibition at the National Portrait Gallery, questions for discussion in the exhibition and post visit extension questions and activity.

Mrs George Matson Nicholas, c. 1917 by Hilda Rix Nicholas
Mrs George Matson Nicholas, c. 1917, by Hilda Rix Nicholas.

Downloads

Paris to Monaro learning resource cover
Paris to Monaro learning resource cover
Paris to Monaro learning resource cover
Paris to Monaro learning resource

Download: PDF, 4.2 MB
Learning resources
Learning resource archive
Children of the National Photographic Portrait Prize 2016
Learning resource
NPPP 2013 learning resource
NPPP 2012 learning resource
NPPP 2011 learning resource
Elegance in Exile
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Portrait of a nation
Australian Schools Portrait Project
Paris to Monaro
Paul Kelly
Awesome Achievers
A cross-curriculum learning resource
Richard Avedon
Elvis at 21 learning resource
Jenny Sages
Paths to Portraiture learning resource
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Related information

Autumn evenings golden glow, c.1942 by Hilda Rix Nicholas
Autumn evenings golden glow, c.1942 by Hilda Rix Nicholas
Autumn evenings golden glow, c.1942 by Hilda Rix Nicholas
Autumn evenings golden glow, c.1942 by Hilda Rix Nicholas

Paris to Monaro

Pleasures from the studio of Hilda Rix Nicholas

Previous exhibition, 2013

After successfully exploring the art scenes of London, France and Morocco, Hilda Rix Nicholas settled at Knockalong, a property near Delegate, on the Monaro plain in the 1920s.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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