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Canberra, ACT 2600, Australia
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Back track
by Penelope Grist, 1 July 2020
Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.
Home is where the art is
by Tedi Bills, 9 June 2020
Tedi Bills on how social media in the age of COVID-19 has fanned the flames of our portrait fascination.
Storied portrait
by Emily Casey, 27 May 2020
Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
Giving a dam
True south #1
by Joanna Gilmour, 22 May 2020
Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.
Of plague and portraits
by Corinna Cullen, 18 May 2020
Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.
Roam alone
by Jon Muir OAM, 4 May 2020
Jon Muir, adventurer and Portrait Gallery Collection subject, really knows about isolation.
Facing the inferno
by Tara James, 15 April 2020
Tara James speaks to Cam Neville about his portrait series, Firefighters.
The eye and the heart
by Nici Cumpston, 6 April 2020
Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.
Christmas Island
by Angus Trumble, 1 December 2018
This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.
Stubbs and the horse
by Angus Trumble, 30 October 2018
One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”
20/20 launch speech
by Dr Helen Nugent AC, 18 October 2018
Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.
The Thyssen Art Macabre
by Angus Trumble, 28 September 2018
Books seldom make me angry but this one did. At first, I was powerfully struck by the uncanny parallels that existed between the Mellons of Pittsburgh and the Thyssens of the Ruhr through the same period, essentially the last quarter of the nineteenth century.