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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

The Reverend Ralph Sutton

1935
Max Dupain OBE

gelatin silver photograph on card (mount: 29.6 cm x 24.2 cm, sheet: 24.7 cm x 18.4 cm, image: 23.9 cm x 17.4 cm)

Ralph Sutton (1908–1967), Methodist minister, trained in Sydney, was ordained in 1935 and began his career in Mosman Methodist Church. The following year, he was appointed to the Far West Mission at Nyngan, NSW, administering a vast parish. Travelling thousands of kilometres a week, he vitalised the mission before transferring to minister in the Sydney slum suburb of Glebe in 1942. Establishing the First Community Church in St Johns Road, for six years he worked with street children in the area. Following study overseas, he returned to Newcastle, where he founded the Australian Christian World newspaper. In Perth from 1953, he exponentially expanded the congregation at the city’s Wesley Church, broadcast thrice weekly on radio, wrote for the West Australian and penned prayers and encouraging words, published posthumously as The Constant Flame (1997). In 1958 he created Good Samaritan Industries, which offered ‘real pay for real work’ by people with disabilities and has provided employment for thousands. Between 1959 and his death Sutton pioneered the first aged-care ‘village’ in Australia, Rowethorpe, comprising a range of living options, facilities, hospital and hostel care which served as a model for such developments nation-wide. The half-century of Good Samaritan Industries in 2008 was marked by the establishment of The Ralph Sutton Education Foundation, to enhance educational opportunities for people with disabilities.

Max Dupain obe (1911–1992) set up his studio in Sydney in 1934. Through the 1930s he took portraits and advertising shots, photographed dancers and musicians for the ABC and gained exposure in the lifestyle magazine, The Home. In the 1950s he turned increasingly to architectural photography. From 1958 to 1973 he documented the construction of the Sydney Opera House. In 1975 the Australian Centre for Photography mounted the exhibition Max Dupain – A Retrospective 1930–1975. With this show, The Sunbaker, taken nearly forty years earlier, became a definitive Australian image.

Gift of Reverend Ralph Sutton's daughters Arlene Howes and Megan Newman in memory of Ralph Sutton and in tribute to his wife Dorothy Sutton 2011

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Max Dupain OBE (age 24 in 1935)

Ralph Sutton (age 27 in 1935)

Subject professions

Religion

Donated by

Megan Newman (1 portrait)

Arlene Howes (1 portrait)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency