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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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George Mealmaker

1798 (printed c. 1838)
John Kay

etching on paper (sheet: 27.6 cm x 20.5 cm, plate-mark: 13.5 cm x 9.5 cm)

George Mealmaker (1768–1808), convict and activist, became involved in radical politics in his native Dundee in the 1780s. A weaver by trade, he was influenced by the Unitarian minister Thomas Fyshe Palmer and by 1791 had joined the Dundee chapter of the Sons of Liberty, a group formed in support of the ideals of the French Revolution. In 1793, Mealmaker wrote an inflammatory broadsheet in the group’s name. A call for parliamentary reform and democratic elections, it veered too much towards sedition for the government’s liking, leading to Palmer – who printed and distributed it – being transported to New South Wales in 1794, along with fellow ‘Scottish Martyrs’ Thomas Muir, William Skirving and Maurice Margarot. Despite these events and the severe repression of radical groups that came about in their wake, Mealmaker’s political activity continued unabated. In 1794, he was questioned, but not charged, on suspicion of being involved in Robert Watt’s plan to seize Edinburgh Castle and overthrow the government (the offence for which Watt was hanged). Mealmaker re-formed the Dundee Sons of Liberty in 1795, and the following year became involved with a clandestine group, the Society of United Scotsmen. He became their principal ideologue, writing their constitution, publishing The moral and political catechism of man (1797), and, through his involvement in a network of radical printers and booksellers, causing to be distributed various other potentially seditious tracts. This all caught up with him in November 1797 when he was arrested, tried and found guilty on charges of sedition and administering unlawful oaths. He was sentenced to transportation to New South Wales for fourteen years, arriving in Sydney in November 1800. During his first 18 months in the colony he was again implicated in rumours of rebellion, but in 1803 received a conditional pardon and was appointed supervisor of the weaving work conducted at the Female Factory in Parramatta. Following the near destruction of the factory in a fire in 1807, Mealmaker lapsed into poverty and alcoholism. He died as a result of ‘alcoholic suffocation’ in March 1808 and was buried in the churchyard of St. John’s, Parramatta.

Collection: National Portrait Gallery
Purchased 2015

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

John Kay (age 56 in 1798)

George Mealmaker (age 30 in 1798)

Subject professions

Activism

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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