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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Portrait of Ali, 2014

by Hoda Afshar

National Photographic Portrait Prize 2016 exhibition

Soobatan Village, in northern Iran. It sits in a mountain range so high, it exists above the clouds. They call it ‘the dream of Iran’. In this village, I was told, the cleverest kids are sent to city-schools to be taught; the rest are made to stay, and most become shepherds. Ali was one of them. It was a warm morning. As I was walking, I saw him approaching through the mist that permanently clings to the road. He looked at me and my camera enquiringly. He said very little – mostly one word, over and over: alooche. It means ‘little berry’.

National Photographic Portrait Prize 2016

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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