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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Marilyn Ball, Albatross, 2018 (detail)

by Linde Ivimey

Marilyn Ball, Albatross, 2018 (detail)
 

Related information

Ngalim-Ngalimbooroo Ngagenybe
Ngalim-Ngalimbooroo Ngagenybe
Ngalim-Ngalimbooroo Ngagenybe
Ngalim-Ngalimbooroo Ngagenybe

Storied portrait

About Face article

27 May 2020

Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
The Rajah quilt, 1841 by Kezia Hayter
The Rajah quilt, 1841 by Kezia Hayter
The Rajah quilt, 1841 by Kezia Hayter
The Rajah quilt, 1841 by Kezia Hayter

Material culture

Magazine article by Joanna Gilmour, 2018

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.
Self portrait, 1957 by Sunarto P. R.
Self portrait, 1957 by Sunarto P. R.
Self portrait, 1957 by Sunarto P. R.
Self portrait, 1957 by Sunarto P. R.

Masters of modern Indonesian portraiture

Previous exhibition, 2014

Masters of modern Indonesian portraiture presents key modernist paintings and drawings along with a selection of contemporary works.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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