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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Hugh, 2009

by Hugh Marchant

Hugh was influenced by American experimental sound artist, Alvin Lucier, whose work I am sitting in a room 1970 brought out the resonance of a room in his sound recordings by continually re-recording his initial text. I created this work using high definition video footage that was played from one camera connected to an LCD TV while being filmed in high definition video on another camera. Sound was recorded from speakers and an amplifier using a shotgun microphone and a flash-card recording device. Then the cameras were switched and the recorded footage was played through the television and filmed again. This was repeated up to 20 times until the video looked similar to a fingerprint or a zebra pattern.

NYSPP 2010

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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