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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

John Bell as King Lear oil on Belgian linen, 2001

by Nicholas Harding

John Bell as King Lear oil on Belgian linen, 2001

Private collection

Related information

David Marr, 2011 by Nicholas Harding
David Marr, 2011 by Nicholas Harding
David Marr, 2011 by Nicholas Harding
David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.
Rehearsing Godot (Mullins as Lucky) 4.11.2013 by Nicholas Harding
Rehearsing Godot (Mullins as Lucky) 4.11.2013 by Nicholas Harding
Rehearsing Godot (Mullins as Lucky) 4.11.2013 by Nicholas Harding
Rehearsing Godot (Mullins as Lucky) 4.11.2013 by Nicholas Harding

Waiting for Godot

Magazine article by Dr Sarah Engledow, 2015

'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.

Robert Drewe

An interview with Nicholas Harding

Portrait story

Artist Nicholas Harding talks about what was captured in his portrait of Robert Drewe.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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